史上最高の女優10人と彼女たちの最高の演技
Today you are going to witness the most legendary actresses of all time and the performances that made them eternal. From the immortal divas of Hollywood to the performers who broke every boundary. 10 women who transcended the screen changing not only the history of cinema but entire lives. Isabelle Ajani. Isabella Johnny is the embodiment of interpretive extremism. an actress who pushed emotional intensity into uncharted territory. From a very young age, she dazzled in the story of Adele H. and it soon became clear she was not a common performer. In every role beats a volcano, a mixture of fragility, beauty, and torment. Winner of five Cesar awards, a Johnny built a filmography where the human and the inhuman blur. Her glacial yet wounded gaze, her ability to unleash hysteria and tenderness in the same frame made her an unre repeatable figure capable of redefining what acting in cinema means. In Camille Clell, she embodied the passion and tragedy of the sculptor marked by love and madness. While in Herzog’s nose feratu, she radiated a ghostly and fascinating aura. But there is one performance where Isabelle Ajani crossed the ultimate limits of acting leaving her traumatized for years. In possession, Ajani took performance beyond the imaginable. Her role as Anna trapped in a ruined marriage and a collapsing reality is a brutal descent into hysteria, flesh, and the inhuman. The famous tunnel scene in which she collapses in screams, convulsions, and fluids is one of the most extreme ever filmed. Pure catharsis on screen. A Johnny is not acting. She is tearing herself apart, destroying herself before the camera. What she transmits is not just madness, but a cosmic inexplicable pain. That absolute risk, that surrender without restraint makes her work in Possession the most intense and disturbing performance in film history. Nasta Kinsky. Nasta Kinsky is one of the most hypnotic and mysterious faces European cinema ever gave us in the 1970s and 80s. Daughter of the unpredictable Klaus Kinsky, she forged her own career marked by depth, melancholy, and an almost unreal beauty. From Palansk’s muse to collaborator of Francis Ford Copala and above all whimers, Kinsky created characters charged with innocence and desire, fragility and magnetism. Her presence on screen was not only interpretive but emotional. She had the ability to turn every gesture into poetry and every silence into an open wound. In Cat People, Kinsky embodies the eroticism and darkness of forbidden desire. In Tess, she plays a young woman destined for tragedy with a depth, fragility, and force that disarms. But there was one performance where Nastia Kinsky stripped her soul bare, weaving one of the most human performances in history. In Paris, Texas, Nastash Kinsky reaches the peak of her art. Jane is the invisible heart of the film, a ghost living in Travis’s memory and pain. Her late appearance in the Peep Show booth scene is one of the most intense moments in film history. Behind the one-way mirror with restrained tears and a broken voice, she conveys everything she could never say. Guilt, longing, lost tenderness. Kinsky doesn’t need to scream or exaggerate. Her power lies in absolute fragility in the way her face slowly collapses as she listens to Travis. That blend of sweetness and tragedy makes her performance an unforgettable portrait of broken love, of the impossibility of repairing what is already lost. Naomi Watts. Naomi Watts is one of the most intense and versatile actresses in cinema. Although her career took off late with Mohalland Drive, she made it clear she had a talent capable of oscillating between the most delicate vulnerability and the most brutal despair. In Hollywood, she carved out her own place, avoiding conventional roles and constantly taking risks. Her face conveys a fragile humanity, but also the strength of a woman capable of enduring pain and transforming it into art. Watts does not look for artifice. She turns every emotion into truth. In 21 GS, she plunges into the absolute devastation of grief with raw realism. In the famous casting scene, she shifts from superficial kindness to a sexual painful intensity that unsettles with its authenticity. Lynch makes her the axis of a dream, turning into a nightmare. And Watts responds with a range that spans the luminous and the darkest corners of the human soul. Her face disintegrates in the second half of the film when illusion crumbles and Diane appears. Jealousy, obsession, self-destruction. That duality, two women in one, is the ultimate proof of her talent. With Mullholland Drive, Watts not only starred in one of the most enigmatic films of the century, she gave one of the most hypnotic performances of all time. Julianne Moore. Julianne Moore is one of the most consistent and respected actresses of the last decades. Able to move effortlessly between daring independent cinema and Hollywood productions, she built a career defined by coherence and emotional truth. Her acting style combines fragility with precise intelligence. She never overacts, never forces, yet manages to convey inner storms with a single gesture or silence. With her red hair and melancholic aura, Moore became an unforgettable face of contemporary cinema. Every look reflects a suffocated inner world, the polite smile in public, the intimate tremor when the mask breaks. Todd Haynes films her as an icon trapped in an impossible melodrama and she responds with a contained but devastating performance. Kathy does not explode. She crumbles in silence. And in that silence lies the weight of an entire era. Far from Heaven is not only Haynes’s masterpiece, it is also Julianne Moore’s most refined and painful performance. Isabelle Hupair. Isabelle Hupair is one of the most radical and daring actresses in history. Since the 1970s, she refused to be pigeonholed, playing complex, cold, and often disturbing characters. Her style is unique, minimalist, controlled, almost impenetrable, but always charged with inner electricity. With over 100 films, she worked with Europe’s most demanding directors and became a symbol of artistic risk. She is Michael Hanke’s muse. That says it all. Heni creates a clinical and cruel environment and who pairs surrenders without concessions, showing scenes of humiliation and desire that break every boundary. What impresses is not only her bravery, but her coherence. She never betrays, never exaggerates. Her Erica is coldness and pain, desire and damnation. With this performance, Hair redefined the notion of risk in cinema, leaving one of the most disturbing and memorable psychological portraits of all time. Kate Blanchett. Kate Blanchett is the most complete actress of our time. With an infinite range, she can transform into historical figures, queens, artists, or ordinary women devastated by life, always with surgical precision. Her piercing gaze and firm voice give her an aura of power. But what makes her unique is her ability to dismantle that force and show fragility at the same moment. Every lost gaze, every trembling gesture reflects someone trapped between arrogance and inner ruin. Blanchett turns her monologues into modern tragedies where denial and despair intertwine. Woody Allen gives her the space to fall apart on camera and she uses every second to portray a devastating descent into loneliness and madness. Blue Jasmine not only earned her a second Oscar, it confirmed that few actresses have gone so far in portraying self-destruction. Ingred Bergman. Ingred Bergman is one of the eternal faces of cinema. From her arrival in Hollywood in the 1940s, she became an icon of purity, sensitivity, and inner strength. Her naturalistic style contrasted with the dramatism of the era, bringing an emotional truth that made her unique. Directed by Ingmar Bergman, she plays Charlotte, a celebrated pianist reunited with her daughter after years of absence. What follows is an emotional duel where every reproach and every silence cut like knives. Ingred embodies the coldness, selfishness, and vulnerability of a mother confronting irreparable wounds of the past. Her face, marked by maturity and fatigue, reflects a woman torn between artistic glory and intimate failure. Opposite Liv, she builds scenes of unbearable tension, where the mask of grandeur collapses to reveal guilt and pain. With Autumn Sonata, Ingred Bergman ended her film career with an absolute masterpiece, proving that greatness can also reside in the rost emotional nakedness. Better Davis. Et Davis was the fiercest actress of Hollywood’s golden age. With her piercing gaze and unmistakable voice, she broke with the decorative model of women to impose a radically different style. Intense, authoritative, full of truth. Winner of two Oscars and star of over 100 films. She became an icon of ambition, strength, and rebellion. opposite Joan Crawford in a legendary duel both on and offcreen. Davis turned Jane Hudson into an unforgettable monster capable of provoking both repulsion and compassion. That mixture of hysteria and truth led her to create one of the most disturbing daring performances of classic Hollywood. The ultimate proof that B. Davis was not just a great actress, but a force impossible to tame. Catherine Hepburn. Catherine Hepburn was the most awarded actress in film history with four Oscars and a career spanning more than six decades. Rebellious, intelligent, and charismatic, she defied Hollywood with her indomitable personality and an acting style that combined naturalenness with overwhelming force. At a time when women were relegated to secondary roles, Heepburn established herself as the absolute protagonist, creating complex, witty, and strong characters. The chemistry with Oul transforms the film into an emotional battlefield where every glance is as sharp as a sword. With this role, Hepburn won her third Oscar and made it clear her reign in cinema was unmatched. She was and remains a force of nature. Merryill Streill Street is the greatest actress of all time. In fact, for many, she is even greater than Marlon Brando and Daniel D. Lewis. With over 20 Oscar nominations and a career spanning more than four decades, she became synonymous with interpretive excellence. Her chameleonic ability allows her to disappear into any character. The decision scene where she must choose between the lives of her children is one of the most heartbreaking in cinema history. No artifice, only unbearable pain made flesh. But beyond that sequence, Sophie is a character full of tenderness, contradictions, and deep wounds. With this performance, Stre not only won the Oscar, she consecrated herself as the definitive performer, the absolute peak of the art of acting in cinema. After watching this video, tell me, who would you say is my favorite actress? Was it too obvious? Don’t forget to leave a comment, drop a like, and subscribe. See you very [Music]
Thanks for watching the video. If you liked it, share it with your friends, leave a like, comment your thoughts and subscribe so you don’t miss future videos.
usa, uk, united states, united kingdom, switzerland, australia, canada, europe, top, ranking, films, movies, best, greatest, acting, performances, acting performances, best acting, actresses, actors, nastassja kinski, meryl streep, katharine hepbrun, cate blanchett, bette davis, ingrid bergman, naomi watts, isabelle adjani, isabelle huppert, julianne moore, paris texas, cat people, tess, sophie’s choice, the lion in winter, marlon brando, day-lewis, mulholland drive, all about eve