【SixTONES 松村北斗 憧憬のアーチ】２つの歌声を使った表現力を徹底解説！

【SixTONES 松村北斗 憧憬のアーチ】２つの歌声を使った表現力を徹底解説！

This is voice trainer Tsuru3. How are you all doing? This video is about Hokuto Matsumura of the Stones, “Aspirational Arch.” I’d like to analyze his singing voice by watching this video. Tsuru3’s Vocal Room. Last night, the Stones members’ solo music videos were released as YouTube versions on the official Stones YouTube channel. The video I’m releasing this time is “Shokei no Arch” sung by Hokuto Matsumura, followed by “Similar One” sung by Yuko Kochi, and finally ” Niji Boku” sung by Jesse. All three videos were released at the same time, which made me really happy. So I thought I’d revisit the newly released videos of Matsumura, Ko, and Jesse from the Stones and film a singing voice analysis video to share. The first video is Hokuto Matsumura’s “Aspirational Arch ,” so I analyzed his singing voice this time, and I felt a different charm from usual . I think there’s a medicinal arrangement to the song, but the way he expresses his voice is a little different from when he was with the Stones, and yet he still has the charming vocals he showcases with the Stones. I think these two charms of the usual Matsumura and the other Matsumura are what make up his voice. I’ve analyzed his vocals more carefully and meticulously than ever before, so please stay tuned until the end of the video. And then there’s the recently released Stones Stargaze. I ‘ve also posted a vocal analysis video and a reaction video to the YouTube version of the Stargaze music video. The videos in the thumbnails at the top of both sides are linked to the URL in the description, so please check them out if you’re interested. There’s also a playlist of previously released Stones vocal analysis videos. The URL is in the description, so please check it out if you’re interested . Tsu’s Vocal Room. This channel mainly features reaction videos and vocal analysis videos that convey the appeal of artists I’m currently interested in from a vocal trainer’s perspective . If what I just said piques your interest, please subscribe and like . Now, let’s get started with the Stones’ Matsumura Hokuto vocal analysis. Wow. It’s cool. It feels like the beginning of a live show. I wonder if this song has the arch band sound of Matsumura’s vocals. They always start at the beginning of a band show. Wow, I’m looking forward to it. Let’s continue . Look. Here they come on. Oh, sorry about that. I thought maybe my Wi-Fi signal suddenly got bad because of this production or video. Of course not. Just because the Wi-Fi signal gets bad doesn’t mean the video gets distorted, right? I was surprised. There were so many surprises, it’s really refreshing. Let’s continue . It’s cool. It’s definitely a band. It’s a band. Oh, come on, come on. Oh, he started singing . The timing is always bad. It was definitely a band. And just as I was thinking that, the video got distorted again, so I stopped it, but the song starts now. Sorry. I kept stopping it, so I’d like to start with Matsumura singing. Here we go. Yeah. Wow, it’s great. It has a different kind of appeal to his vocal expression than when he was with the Stones. The appeal of his low voice is amazing. This part is the same as when he sings the Stones songs, but I feel like the way he uses his voice is a little different in Matsumura’s solo version. What’s different is that the natural voice component is so much more pronounced. I think when he sings Stones songs, he mainly uses a voice somewhere between his natural voice and falsetto, a voice called mixed voice . That’s true of the higher notes, of course, but I think he also uses the mixed voice I mentioned earlier even in the lower notes. But the singing in this part feels like natural voice, with the resonance of his chest and air used as a break. And as for how he expresses emotion, I think he’s deliberately singing in an eccentric way to convey a sense of mystery . Let’s listen to it again. See, see. Yeah. I think this strange feeling comes from the fact that he doesn’t open his mouth very much. If you don’t open your mouth much, your facial muscles move less, making it harder to convey emotion in your voice, but I think Mura-san is expressing the current atmosphere through his facial expressions and the way he uses his mouth. This vocal expression is perfect for a relaxed atmosphere. Let’s move on. Yeah. Good. And I think the natural voice component drops a little from this point. A softer atmosphere emerges. A gentler atmosphere, perhaps. I think this vocal expression is the way he expresses himself when he’s in a band. Also, I think he emphasizes the overall scene. After all, it’s an arrangement with a band sound and the drums are recorded quite intensely , so I think he’s trying to match the accents of the vocals to that . Let’s listen to it again. Yeah. Yeah. I was drawn in. This S, this H, and other parts of the song are pronounced strongly, creating a sense of dynamism. As expected. Moving on to the next part. Yeah. Look, look, look . “Looking at me.” That’s the pronunciation of the “T.” “Miracle of the stars.” These parts are where the overall scene gets stronger. Let’s listen again, paying attention to the strength of the “chi .” Look, look, look, look . Yeah, yeah, yeah. The “T” in “Looking at me” is pronounced stronger in the first half , and in the second half, “Miracle of the stars” feels like the core gets stronger overall. By singing with a strong core , that part gets a stronger accent. Then, the parts other than the accented part get softer , creating a dynamic throughout the phrase. These dynamics lead to a dynamic feel to the phrase. So , even though it’s a laid-back song, listening to Matsumura’s singing makes your body automatically want to follow the rhythm. Matsumura drives the rhythm of the song with his singing . Great. Let’s move on to the next one. Yes. Good night. I see. It feels like the melody pattern has changed a bit in the second half around here. So, the first verse of the next phrase just came out, and I wonder if this is where the section changes. The melody goes higher to create that sense that the scene is about to change. Let’s listen to it again. The end of the next night, look, look, the end of the night is like this. You can really sense the feeling that we’re going to a different world from here. I’m looking forward to it. Here we go next. Yes. This is called an irregular beat pattern. It’s a bit complicated, though. The A-melody part goes like this, tan tan tan . This is the normal counting pattern, wa-tsu-rei- four, but it’s called a 44 beat. In music, there’s something called a novel, and 1234 is one novel. To be precise, it’s one novel in 4/4 seconds. So, we say 2234 is two measures, and 3234 is three measures, and this is the basis of music. So, from what I’ve just heard, at this point , it changes to a 4-beat pattern of 12313123. I just tapped it with my hand, and the second time is called a cover. It changes from the 44-beat pattern of the A-melody to the 44-beat pattern of the B-melody . This is called an irregular beat pattern. It’s a really complicated matter of music theory , but the moment this irregular beat pattern appears, the way you keep the rhythm suddenly changes from the previous pattern, so it’s a very difficult point. However, for us listening, it’s easy to sense the change , like the atmosphere has changed completely, or the rhythm has changed, and it’s a way of making a song, or a way of making a rhythm , and I personally love that about it, but let’s listen to it again. See, it’s 12313. No, I never thought the irregular beat pattern would come up. Right, amazing I’m getting excited, but overall, Matsumura’s singing cuts each note very short. Like “da” and “da.” This is called staccato . By using stacks, it creates a kind of “this is it” nuance, and each note seems tightly packed. I think he sang the A melody in such a relaxed manner to express this tight atmosphere . That’s what I think. Moving on. Yeah . No, it’s cool. The way he creates the melody is simple in a good way. The melody is created by matching the notes 1414 to the rhythm of “watsuwatsu,” and this simplicity creates an atmosphere that catches your ear, and it has a charm that makes you feel attached to it after just one listen . Matsumura sings melodies that are easy to understand and appealing. It ‘s just the best, isn’t it? Moving on. Yeah. I wonder if that background chorus is also Matsumura’s? The one where he says “ah.” Matsumura’s good fortune is incredibly beautiful. It sounds a bit like Matsumura. Let me double-check. It sounds a bit like Matsumura’s voice. Sorry if I’m wrong. This chorus wasn’t in the first half, right? The chorus’s introduction in the second half creates an atmosphere of building up toward the chorus. No, it’s exciting. Moving on. Sad. Ah, this is it. The soft, bubbly melody closes it out. And, sorry about the “wow” sound at the end . I couldn’t hear the lyrics just now, so I sang them with a “wah” sound. I think I was trying to create a fantastical atmosphere in this part, and I used a technique called whisper voice, mixing in the sound of breath. Let’s listen to it again . See, see, see, you can hear a little bit of breath. Here, when you use whisper voice, you’re putting a little bit of your voice into your nose. It’s a sound called nasal resonance , and by adding a nasal resonance to his voice, he creates a sweet, almost vocal atmosphere. And that whispery voice is irresistible. So , next up is Sa. Let’s listen. Yeah. It’s a classic rock chord. The A and B melodies have a fluffy feel, and a sort of dreamy atmosphere. In my mind, I imagined it to be something reminiscent of the night sky, so I didn’t expect Sa to take it this way. And here, Matsumura uses his powerful natural voice. It feels like he’s really building up the energy with his voice. It’s cool. Let’s listen to it again. See, see. Yeah. Am I the only one who feels like he’s singing more powerfully than when he sings Stones songs? Maybe he’s constantly changing his expressiveness because it’s a solo. No, this voice is also incredibly cool. Moving on. Yeah . Hmm. The stability is also amazing. There are a lot of long tones, which are long, sustained notes. There are two ways to express rustiness: one is to apply VI to a sustained phrase . The other is to sustain the note in a straight line. I think there are two patterns , and while Matsumura seems to use a subtle vibrato, I think she falls more into the sustained line type. This sustained tone is incredibly difficult to achieve, and even the slightest slur is immediately obvious . It’s incredibly difficult to sing well unless you have a high level of fundamental singing ability, but Matsumura’s stability is so incredible that I can’t help but pay attention to how she sustains the note. Let’s listen to it again. Look, look, look, look . There’s a slight waver at the end of the sustained tone, but it’s almost a sustained tone. She’s sustaining the note in a straight line. This is the main breathing technique used in Fukushiki breathing , which involves taking a deep breath and using the abdominal muscles to project the sound. I don’t think you could sustain the note this long unless you did it perfectly. Matsumura’s fundamental singing ability is incredibly high. Let’s move on. I thought it was the same pattern as the repeat , Etamana, sorry. I stopped halfway through. So, as of now , the cause of death is pronounced more strongly than the chorus part sung before. Matsumura-san creates changes in expression in these subtle ways. He really thinks about every detail when he sings. It’s amazing. Okay, let’s move on to the next part. Did you all hear ” I Forgotten,” and his beautiful falsetto? After all, the beauty of his falsetto is an essential part of Matsumura-san’s charm. Whenever a new Stones song is released, I always look forward to the falsetto part in Matsumura-san’s part. That’s how much I love Matsumura-san’s falsetto. Let’s listen to it again. This, this is the best. Such a beautiful falsetto. I’m jealous. Let’s move on to the next part. Here we go. Oh, I see. So it ends here. So that’s it. If you want to hear the full version, you’ll need to buy Stargaze, which will be released on September 10th . Seriously, this is making me really excited for Stargaze’s release . And that concludes my analysis of the Stones’ Matsumura Hokuto vocals . Honestly, it’s amazing. I was surprised by the unexpected band sound, but at the same time, I was incredibly happy. I was in a band for about three years back when I was an amateur, so I absolutely love band sounds. And it’s Matsumura singing. It’s got to be amazing. Of course, his singing voice is the same as the one he showed off with the Stones, but I was also thrilled to hear a slightly different way of expressing his voice. I think that’s the charm of a solo career. I’m so happy to have gotten to know Matsumura’s singing even better. I’ll continue to follow the Stones with all my might. That’s it for today’s video. If you enjoyed the video , please subscribe and like it. Well, this is voice trainer Susan.

SixTONES – 憧憬のアーチ (Hokuto Matsumura) [YouTube ver.]がSixTONES公式youtubeチャンネルにて公開中！
この動画はSixTONES – 憧憬のアーチ (Hokuto Matsumura) [YouTube ver.]をボイストレーナーのツル３がどこよりも丁寧に細かくをテーマに歌声分析している動画です！

引用：https://youtu.be/TMXZRER-BCQ?si=t5AgoFza5b5Hyrcn
SixTONES – 憧憬のアーチ (Hokuto Matsumura) [YouTube ver.]

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