iPhone 16 Proで撮影 | 是枝裕和監督作品「ラストシーン」 | Apple
A Film by Kore-eda Hirokazu Shot on iPhone 16 Pro Cinematographer Mikiya Takimoto The change is necessary, right, Yamase-san? I mean, if you’re not convinced… Well, even if it’s forced,
I guess a happy ending might be better. Spring is around the corner, right? It’s fine… it’s just the ending. Whether the rating is 5, 6 or 7%, it’s all the same. What if it’s 3% though? Ratings aren’t your responsibility alone, you know. Well, if this fails,
I’ll go back to my home town and raise chickens. I just feel sorry for the work if it doesn’t end well. It’s not about the work, right? Huh? The lead, Iwata. Kotono Iwata. What? Her lines increased halfway through the script. Yamazaki’s manager was upset, saying it was different from what he had been told— that Yamazaki would be the main lead. Don’t be silly. I live by the principle of
falling in love only with the roles, not the actors. Anyway. She will surely be recognized as Rena from
“I Will Never Love Again” from now on. If you say so. I’m off to Kamakura. The shoot. Yeah, Yuigahama. That scene was nicely written. Yes, one epic scene. You genius. A genius, huh… “I want to go back to the past and start over.” “I wonder what the future would look like
if I didn’t break up with you.” The man who just left is the producer of
“I Will Never Love Again,” right? Huh? And you are…? Darn, I missed him by a second. Hey, what are those outfits? What? The hakama? Probably for a graduation ceremony. Oh, graduation ceremonies are still in March in this era. This era? I messed up the time setting a little bit. Are you Kotono Iwata…? It’s a time machine kind of thing. Kind of thing? I have a favor to ask. Excuse me, do you have paper menus? Um, yes, I’ll bring one right away. I want you to rewrite the final episode’s script. What? Are you a fan or something? Like in “Misery”? Who? Listen, I don’t know if you’ll believe me,
but I’m short on time, so I’ll be honest. I’m from the future. Oooooohhh… Excuse me… I’m serious. Excuse me! It’s true! The heroine of this drama, Rena, is my grandmother. I look like her, right? Well… My name is Yui Kurata. Kurata? Yes. You’re my grandfather. Me? Yeah. “I used to say I live by the principle of
falling in love only with the roles.” “But she was the exception.” That’s what you said at the press conference. No way… we had a press conference? That’s how it turns out in 50 years,
but I want to change it. Change what? The future. The present, for me. Huh? What? This drama,
it’s going to cause a disaster if it airs as is. What? The ratings. How much? That can’t be right. 3%? 2%? Are you saying 1%? 0.3%. You’re kidding! Here is the menu. And, because of that,
you won’t be able to write scripts ever again. More importantly… Like it’s not? Dramas will disappear from
Japanese broadcast television altogether. Because of me? That’s how it’s explained on Wikipedia. Well, isn’t that because
everyone’s just watching TikTok and YouTube? Everyone blamed others, like you.
That’s why TV drama disappeared… But… That was Yamase-san, right? Yeah. Next year, he’ll be transferred to a subsidiary company.
In Miyazaki Prefecture. Well… that’s possible. My grandmother will be called “the low-rating actress,
the 0.3% woman,” and she’ll retire. And… what happens to me? Wikipedia stops at your marriage. Are you ready to order? What are you having? Omelet rice with beef stew. Do you have hamburg steak rice gratin? Don’t ignore me. That’s actually not on our menu but on De… Then I’ll have the cheese-stuffed hamburg steak
with a drink-bar set and a large rice. And for dessert, I’d like anmitsu with this. Of course. A time machine makes you really hungry. You’d never understand, though. Yeah, I’ve never been on one. For everyone’s happiness, can you rewrite the script? What part? Where? The last scene. The last episode? Yes.
“Even if I were reborn…” “Even if I were reborn 100 times,
I would never choose a life without you.” No no no no,
drama is supposed to be about dreams instead of reality… That sounds too convenient. That’s mean… first of all, drama is… Drama is? TV drama is… Not a work of art. Then what is it? It’s a product. I knew you would say that. For example, it’s like the food they offer here. The chef’s personality is not needed. It’s okay if everyone can enjoy it to some extent. Why did grandma get married to this guy. Cheese-stuffed hamburg steak… What? The cheese-stuffed hamburg steak is delicious here. Yeah. Even though it’s a product. Let’s make something like this. I’ll help you. Let’s try and fix it. For the future of TV drama. Cheese-stuffed… …hamburg steak. Let’s say this time machine is a real thing. Are there any rules, like you can’t change the past? Are you really from the… Wait, you’re sleeping? It’s the sea! We’re here! Was I asleep? We’re safe, so let’s go on a journey… Why didn’t you wake me up? I can only be here for a short time, you know. Don’t get mad at me. Hey. There’s a place I want to go. That fluffy thing. What? Before the shoot? Where is that? Honestly, the idea of women waiting for men to choose them, or changing to suit what men want, is ridiculous. Well, yeah. That stuff ended in the Showa or “Heiwa” era. That “Pretty something” nonsense. “Pretty Woman.” But it’s a classic in its own way. If anything, make it like “Tell Me &… something.” The train! It’s coming! You mean “Thelma & Louise”? That’s it. You get me. Good job. Yeah, I’m getting used to it. What does this pancake have to do with my script? Smile. Say pancake! Thank you. You guys call these pancakes, huh. Is it different in the future? We call them hot cakes. That’s so Showa era. I’m actually an aspiring actress. An actress? Yup. But you know, with grandma’s reputation… no one will cast me because I’m bad luck. So it’s not just for the future of drama? It’s for yourself? Of course it’s not just that. I watched grandma’s drama in the library. And I wanted something like that to be made again. For real. So fluffy. So this is Yuigahama… Your name… Yeah, grandma named me after this beach. Look, it’s grandma. Grandma! Shhh, keep it down! This line “I want to go back to the past and
start over”… feels weird. I don’t think my character would say such a thing. Are you fine with this? Why don’t we try it, just once. Actually, I’ve been thinking about that too. She won’t be able to put her heart
in the last scene with this. Right, but maybe if she tries it’ll be fine. Either she puts her heart into it or not. Wasn’t Kurata-san really
particular about this line, though? Perfect timing! Kotono is complaining about this line. But without it,
it will completely change the flow of the last scene. Oh, the last scene… We need that line, right? In the Ferris wheel. “Even if I were reborn 100 times.” I’m not sure we really need that line. Are you on a date? No, she just came up to me in the diner after you left. She’s an aspiring actress. Okay, I get it. I get it. I don’t want any scandal. You’re the producer, Yamase-san, right? Yeah… and you are? May I? Ah, this is the line. “Why did I say that. I want to go back to the past and start over.” It’s not that great. What? You just said this is a great scene. Now that I hear it again, something’s off. Grandma used to say, “Yui, keep lookin’ ahead in life, alright?” “Ain’t no changin’ the past.” Where is your grandmother from? That’s actually not bad. “We can only change… the future.” That sounds good. But isn’t it gonna change the last scene? I’ll come up with something. It’s my job. Rena’s lines starting with “Why did I say that”— how about “We can’t change the past.” “We can only change the future.” Feel like I just started to realize. Realize what? We should head back soon. It’s getting a bit chilly. You’ll catch a cold. In our time, there’s no such thing as colds. Really? No colds? Yep, and no canned coffee, no wedding ceremonies. Wow. What about that? We don’t have this either. Grandma was trying hard. Yeah. She was giving her best. Despite the effort, she’ll still have regrets. Maybe it’s because she put in so much effort. Maybe. Regrets would be nice to have. That’s right. When the sun sets, I have to go back. There’s one more thing… What? Where? I want to ride that thing on the cover. A Ferris wheel? You don’t have that in the future? Nope. Wait… is that my fault too? According to Wikipedia… Okay, let’s hurry. Go, go, go! Here’s our ticket! Watch your step. Please don’t shake the gondola,
stand up or lean on the door. Great timing for a beautiful sunset. Enjoy. “You don’t need to start over.” “It’s okay to have regrets.” “It’s not a waste.” “All those things shape who you are today.” “Even if we part ways today,
you will still live on in me tomorrow.” “I won’t forget.” This “all those things” part. Maybe it can be Rena’s line. Good idea. “All those things shape who you are today.” This is good. But are you sure? Sure about what? If the ratings increase and
this saves the future of drama… I know. It means she won’t retire and I won’t marry her. I won’t be born into this world. Is that okay with you? Yes. That’s okay. We need to let something go in order to gain something. That’s true. Look, the sun is setting… I want it to remain… in the future. What? Ferris wheels. Yeah. Hope you enjoyed your ride. Wait, didn’t you have company? That’s strange… Sir? This is so strange… Did she fly away? Hi, Yamase-san. I revised the last scene. I’ll go over the revised script. Rena and Shinoda sit next to each other. “You don’t need to start over.” This is Rena. The drama script I rewrote overnight got a 3.8% rating. Nonetheless, we saved TV dramas. Watch your step. You really like it, don’t you? The Ferris wheel? I heard it’s going to close down at the end of the month. Is it? I’ll miss it. Me too. Thank you for your work. Hurry up, Rena! You don’t have to run. I’m sorry. Here you go. Please don’t shake the gondola. Stand… Stand…
Stand up… Your grandma liked this place, right? Yeah. She said she came here
for a drama shoot a long time ago. Really? Here? That’s cool. I’m actually pretty scared. It’s gonna be really high up there. What are you looking at? Nothing. Look, the sea is beautiful. Shot on iPhone 16 Pro
是枝裕和監督の短編映画「ラストシーン」。iPhone 16 Proで撮影。仲野太賀演じる脚本家の倉⽥は、福地桃⼦演じる50年後から来た由⽐と共にテレビドラマの未来を救おうとする。その中で二人は、由比の存在に関わる重大な選択を迫られる。
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