【平野紫耀/髙橋海人】世界が注目する2人のダンス動画の共通点が話題に！その理由と今後の展望をじっくり語る！（日曜日の雑談会）

【平野紫耀/髙橋海人】世界が注目する2人のダンス動画の共通点が話題に！その理由と今後の展望をじっくり語る！（日曜日の雑談会）

The world can see his face, or rather, about Hirano-kun and Kaito-kun’s dance bedroom. Kaito-kun, there was a video of him dancing in YGX’s dance studio with Leah-sensei, and Kaito-kun danced pretty well. I thought that he was trying to be positive, or rather, he was trying to do

His best. Isn’t he something he said in his original job? I think it’s fine to go to Mr. X’s studio . Isn’t this really another company’s agency? What’s more, they’re suddenly able to do things that they couldn’t do when they were working with K-Pop Johnny’s,

And they’re appearing on overseas YouTube channels like this. Even if you’re not thinking about going out into the world, it’s possible that you’ll be dancing all over the world before you know it, so that’s why I ‘m working so proactively. Personally, I’m a bit curious as to what’s going on,

And the charm of Kaito’s dance was something that really surprised me when I first saw it. Not only are you good at dancing, but you can also dance well, and I think that being a good dancer is something that goes beyond words and makes everyone realize that everyone

Around the world is good at dancing. When you think of dance in each country’s language, people say it’s good dance.I think one of the key points is how well it’s perceived by people overseas, so I guess you could call it gradation.

Before I knew it, I was starting to hear from people overseas, or I was performing overseas, but the content of the song was still the same as the content I had sung up until now, for example, Japan, Japan. I think there are things like singing in Japanese, but

Even if you don’t aim overseas, the specific actions you take don’t really change that much . How to bring out the creative work that I have done into the world is more of an internal matter, so it’s more about the individual’s own efforts, and in terms of the amount of activity, it

Does n’t really change that much. I do work by appearing at events and being invited to festivals , but creative activities can be done in Japan as well, such as composing, practicing singing, choreographing dance, and making music. I can shoot videos

In Japan, and if there’s a location I’m interested in, I can shoot overseas or in Korea.However, I can still do my daily life in Japan. That’s right, but I don’t know what it is, but I realized once again that the fact that it’s easy to expand overseas means that people

Overseas see their dance and recognize it as a common language. I get quite a lot of questions about how I think I can be active in the world , and I’m continuing my career as an artist by just dancing and singing. Of course

, I think it’s okay to do whatever you want, such as the direction of the song or the genre , and it’s up to the people themselves to express what they want to do. I think that by adding arrangements, increasing the number of angles, and changing

Things, it will be transmitted to the world exactly as it is, so I don’t think it’s a matter of doing anything special. I feel like the people themselves are able to do what they wanted to do more than ever before.I’m watching from the flag, but I think

It’s the way they dance, and the content of the dance they’re dancing . That’s right, but they only dance at a really high level, and they only do extremely difficult dances.I wonder what it is about that both of them have the ability to choose such dances.Maybe it’s really amazing. I think

Some of the fans are used to seeing Mao and her dancing together, and while I think it’s amazing to see Shimako and Mao dancing like this, I still think it’s just the two of them. Maybe it’s true, but when I see it, I only see dances that are really good

, and I don’t think there are many people in Japan who do that kind of dance all the time . I think that if people with obvious talent start doing more and more of what they like, the world will find them even if they don’t like it.That’s why I think it’s

So basic. No matter how you use SNS, there is definitely a part that spreads around the world, and like this time, you can appear on YGX’s YouTube channel and dance with the rehearsal teacher at a famous Korean studio. When it comes to

This, the environment becomes really big, and I think people around me will notice Ka-kun and Hirano-kun, especially these two people who have great strengths in dance, so I’m sure. As for Hirano-kun, he was invited to Vito’s pre-fall ceremony, and I was

Watching and thinking that the situation was steadily expanding for both of them, so I was very positive and committed to that . The dancers who are deeply involved in the Japanese dance scene, such as Nogari-sensei and Dashieka-sandachi , who are highly acclaimed from around the world,

Are giving them a huge push. That’s what it looks like , but I don’t know what’s wrong with that. I don’t know if they’re pushing this, but maybe it’s because of their talent that they’re here. Even before they became famous, there were

People who knew about them, or rather, there were people who had contact with them, and after seeing that , it was something they wanted to do and share their work with the world. I get the feeling that they really want to help deliver what they want to convey, and that they really

Want to help.To be honest, in the dance scene of the entertainment industry world, when it comes to the level of a rehearsal teacher, it’s hard to say. He has a much better place name than Hirano or Kato, and is much more well-recognized, so if anything, I simply think that Reha-sensei is

More amazing.If you look at it by world standards. To be honest, among the artists who are active in the world to begin with, collaborating with Kaito-kun and Hirano-kun is amazing , and to be honest, I don’t think it’s that much of a premium. I feel like it’s

More like Leah-sensei is pulling the two of them into her own field of dancing and dancing together, and by doing that, it becomes even more of a world dance scene . I’ve always looked at them as introducing them to the hip-hop scene, and

Out of all the artists I’ve worked with, they’re especially talented at dancing. I believe that the environment for the two of you will change greatly over the next year, 2024 and 2025, as I understand that you are fully acknowledging this and working together to raise your expectations.

I think there are some surprising developments waiting for us, so I’m thinking that we’ll see a lot of such tricks in the future. Yes.

（元動画）
平野くんや海人くんのダンス進出について ME:Iの今後の展開 将来の人材に必要なスキルとマインド 日曜日の雑談会

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